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View Point  

The Butterfly Story," a multi media performance staged in a mega Amphitheatre on March 10, 2009 - to celebrate International Women's Day, launching UNFPA's 2009 Leave No Woman Behind campaign, was an interesting production in many ways. Combining dance, documentaries, art and story telling, the production drew on tales and images of women's plight, strength, and survival in Ethiopia.

The Butterfly Story; Leave No Woman Behind Campaign

 

 

Yasser Bagersh directed and Meseret Yerga choreographed the performance in The Butterfly Story. It was heartening to see UNFPA support experimental work in critical communication on gender and development issues that have, over the years, acquired static frames of reference.

The dance performance of young people holding the production together, calls for special felicitation. Hopefully, Addis Abeba will get to see more of their work. The occasional technical glitches in the documentaries apart, the production did succeed in creating a sense of continuity between its different mediums, and extended the possibilities of narratives on women's oppression and empowerment, even though sometimes stuck in the stock development narrative frame.

The medium of modern dance worked effectively in creating strong expressions and narratives of pain and oppression, psychic struggles to break free, and individual as well as collective sense of empowerment. The strength of the visual narrative of dance was that it could escape the static images of victimhood that discourses of women's oppression so often enforce upon the mind.

The strength of "The Butterfly Story," a collage of women's tales of coming to be, implied in the symbolic journey from caterpillar to butterfly, lay in its focus on women's acts of survival than on victimhood, or rather when it chose to speak of plight and suffering from out of the acts of survival and empowerment.

The story and alternate forms of narratives are effective tools in shaping perception. A story traces agency and process and takes one out of the static images that shape perceptions of gender violence. Story matters. Narrative choice matters. Perspective matters. Expression matters. Hence for community development programs all over the world, the story in performance as a means for initiating dialogue has proven to be a powerful medium for social change.

For   organizations like UNFPA to recognize this takes gender corrective work in empowering women a very long way. Hopefully the project will see many communities in Ethiopia engaging with stories told in many languages and dialogue on gender issues through stories.

Gender equality was an important theme in the entire program. It appeared to be the rationale behind all the work that was done and UNFPA's own philosophy behind project designing. "Gender equality" did not, however, come across as a relevant term for all the cases shown.  For example, the discontinuing of FGM was used as an instance of gender equality in the program. 

In societies where male circumcision and female circumcision are practiced, circumcision was initially conceived as an act of sexual ethics, sexual disciplining and reproductive ethics for both men and women. In our age of medical ethics, the practice of FGM is sought to be discontinued on grounds of reproductive health and health generally. There is a story to be told there that concerns a conflict between two ideas of ethics of the body and of the gendered being, and of the shift from the one to the other. A tale much more complex than that of barbarism to civilization that is often implied in the development work of eradicating FGM!

And it is a story that the idea of gender justice captures more adequately in all its complexities of agency and navigation through community power relations than gender equality does. Gender equality is part of gender justice which involves a larger sphere of thinking through women's issues and strategizing for change and empowerment. For organizations working in gender and development, creating a larger paradigm for debate and action than gender equality is important to make the work of gender equality more effective and go even beyond.  

Besides, gender corrective action and gender justice do not necessarily have to be thought in terms of women's equality with men. Making men the measure of what women must aspire to be, or have, does not quite empower women's cause. What is good for women and what empowers women needs to be evaluated according to the needs of women that might be different from those of men.

Where gender inequality needs to be addressed, i.e., in the sphere of work and value at home and outside, many stories remain to be told. For instance, in most parts of Ethiopia carrying of water and firewood is women's labour. Women carry them on their back over long distances to the detriment of their health.

Often girls cannot attend schools for their family requires them for this labour. Pack animals like donkeys are used by men to carry their loads. No such luck for women. They must carry their own loads. If deep tube wells were to be built and women's organizations in each community supplied with pack animals and canvas bags to carry water, it would go a long way towards women's empowerment.

If such assistance could even induce the young adolescent males to share in this labour, it would save many women, for oftentimes it is on their way to fetch water that young girls get forcefully abducted. Hopefully, such work in support of gender equality will happen in UNFPA's ambitious 2009 Leave No Woman Behind project, and there will be many stories to tell to continue the good work that "The Butterfly Story" has begun.

By Mousumi Roy Chowdhury

 
 
   
   
   
 
 
 

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